A few short weeks ago, IF Comics released Anthony and Myke’s The Magic Press and Other Critter Stories as a e-book digital download exclusively on Amazon.com. (Check it out here.) It did pretty well in sales it’s first week BUT that was not enough for our fans. They wanted a PRINT edition! It’s nice to know that there are still readers and book collectors out there that like to have their literature still tangible!
So in response to Facebook fan outcry, Anthony started working on re-paginating a print edition for sale. After a couple weeks, he finally completed the task!
The Magic Press is immediately available for order for $5.99 plus shipping and handling from CreateSpace.com (Click here to order.) Roughly 5-7 days from the date of this blog release, it will also be available through retail outlets such as Amazon.com as well as ANY book store retailer through special order. A few days after that, it will be available overseas in Europe through Create Space’s distribution.
“This edition is only slightly different from the eBook edition” says Anthony. “We (Ink and Feathers Comics) have always done a print edition of a book. It’s only been the last half year that we just started digitizing our inventory for digital distribution. As I am a starving artist, I thought I would give a “ebook only” release for The Magic Press. I keep forgetting that a lot of our fan base are still traditionalists and like to have tangible books. I did intend to print a print edition later this year (late this Spring). However, our fans just couldn’t wait. IF Comics is not a traditional publisher so we can do whatever we want in terms of printing or deadlines. Plus, I’m huge on customer service and aims to please.”
This “dead tree” version also sports two extra things not available in the eBook edition. One, a back over with a full colored version of one of THE CRITTERS strips done by Anthony (which can be see from the image above) and two, an extra Halloween image with Millennium Bear (Leni) telling the viewing audience that she taught the monster from the Blue Lagoon to rise out of a lake with a Halloween greeting.
“A little extra treat for those that wanted a “real” book and a small thanks for your support”, comments Anthony.
The print edition of The Magic Press is an 6×9, 48 paged full colored cover with black and white interiors. It is priced at $5.99 not including shipping and handling.
If any fans would like to PRE-ORDER a SIGNED copy directly from Ink and Feathers Comics, CLICK THE BUTTON BELOW!
The price for each copy is $5.99 and shipping is only $5.50 for 1-20 copies.
That’s right! A flat shipping for single or multiple copies!
(Up to twenty. Any more, please contact us first for accurate price quote. Price is for Domestic USA orders only. International order, please contact us directly via private messaging on our FACEBOOK page or email us at: email@example.com for price quote for shipping/handling.)
As this is a new publication, expect your copy(s) to be sent out in about two weeks. We will notify your by email when they are being sent out complete with tracking information. We will also include a WHOLE bunch of SWAG at no extra cost! SWEET DEAL, HUH?!
Thanks to the advent of digital publishing, The Magic Press can now be seen by a larger audience.
Back in 2009 while Anthony was attending SAIC (School of the Art Institute of Chicago), he put together a short little comic book for one of his class assignments. He was required to come up with some characters and then to do a short comic book story for a final assignment. As Anthony was bogged down with five other classes (all wanting a final project) he decided to cheat. Well, sort of.
He had already been playing with the idea of using some of his toy stuffed animals as a starting point but he wasn’t finding the right voice for them. He still wasn’t too sure what to even call his cast of characters. (Somewhere in the past half decade, he came up with the name THE CRITTERS.) As he struggled to come up a storyline, his mind turned to stories that he remembered from his youth. He had created some fantasy stories for various grammar or high school assignment but none of them seem to fit into THIS particular assignment. Somewhere in his ideal brain, he happened to remember a story that Myke, his father, had once told him, at a young age, when he was home from school due to an illness. Myke had written down the story in a journal many years before but since decades had past, it had been long forgotten. Anthony, remembering where the story was stored, took a trip to his parent’s house and secretly scanned the pages to be transcribed at a later date. Anthony spent a few days trying to dis-cypher his father’s handwriting and finalized a working script. After a few weeks of illustrating, Anthony paginated a 10+ page comic book and turned into one of his final projects. Copies were spread on SAIC’s campus and one copy is now viewable in their artist’s library BUT not many outside of immediate family or SAIC’s community have ever viewed this story. Now finally after five years, this short story is made public.
“I’ve always intended to print this story again when I had the chance.”, states Anthony. “I figured now would good time to get it “out there”. I’ve done several more things since then with THE CRITTERS in hopes of having enough material to put together. A few months ago, I was going through copies of my old original work and there it was. I read over it again and realized that the art wasn’t TOO bad. Especially since I was trying to finish it in a short amount of time. It felt like such a shame that it may never see the light of day again.”
Another issue that Anthony feared was his lettering for the story.
“As I was rushing to reach my deadline of a final project which also required me to print it for circulation, my penmanship, in terms of lettering, started to degrade towards the last few pages. I was rushing. My only excuse was my deadline.”
Anthony decided to re-do the lettering digitally for The Magic Press. It is the only story in this new volume that has digital lettering.
“I wanted to make sure it was readable as the whole story is very important to me. Not only is it a part of my memory as a child/adolescent, but the publication also had special meaning as I made it for my father as a 50th birthday gift. Unfortunately, he got his copy a year late. ”
The gesture was no less dear when Myke finally received a copy much to his surprise.
Anthony added, “Many comic book aficionados may complain that the lettering causes a distraction now as it looks slightly off from the rest of the art. I believe my original lettering would have been more distracting if you couldn’t read what was going on. I tend to favor original hand lettering over digital especially when it comes to indie or my own art. But I think it works. It’s not perfect as my original word balloons are smaller/larger to compensate for my crappy lettering. But if the reader is only focusing on my lettering and that is the only thing that they can comment on and NOT the story after they finish, then why even bother reading? ”
Anthony, after leaving SAIC to pursue freelance work, tried a few comic strips and did to more short stories with the cast of THE CRITTERS. They have been posted on his personal Facebook page as well as an online comic through Comic Fury.com. However, with the release of this version of The Magic Press subtitled And Other Critter Stories, they are all now collected together for the first time.
“I may, at a later date, print a “dead tree” version but for now I want to see if a following forms for these little guys. If so, there may be more adventures on the way.”
The Magic Press is currently available on Amazon.com for digital download to your Kindle or PC/MAC computer/tablet. It features Anthony’s adaptation of Myke Feinman’s short story, The Magic Press plus two other short comic adventures, F.A.S.C. (Free Associated Sequential Comic) and It Happened Halloween Night. It also includes several comic strips , a few one paged two paneled jokes and a couple of pinups. The cover depicts The Magic Press‘s main character of Charlie, an eighty year old newspaper bear who runs his own print shop and newspaper in Depression Era Midwest. It is a children’s comic book/graphic novel and is suitable for all ages. (May have the word “crap” in a few times though.)
This past Saturday, Julie and I attended DanCon Fall 2013. Its been a long time since we have attended a show without actually having a table. It’s kind of nice to not have the pressure of waking up at the crack of dawn, getting your merchandise together, cash box counted and settled before commuting to a show’s location. One of the main thing that we both love about attending these shows is spending time talking to the various artists/writers/creators. Even though DanCon is small show (something that IF Comics pushes in relations to starving artists..see post Attending Conventions) it makes it so much easier to visit with almost all the creators in attendance. We were only there for a scant 2+ hours and had a kicking time seeing other people’s work, discussing their ideas, soon to be ideas , as well as where the industry is heading for us all as artists. I wanted to share with everyone some of the work that we got this time around from this small pool of talent.
First up is Greg Hiatt. I am always excited to talk to creators that are really into their projects. Greg pitched his book, Dick Mummy, as Dick Tracy if he was a zombie. For me, I’m not big into the horror comic genre but I’m a fan of mysteries and anything that seems pulp-ish in nature. I have to admit just thumbing through this full color comic is visual eye candy. His work in this story is gorgeous and I look forward to divulging into this world filled with noir settings and dark yet lavish color schemes. Moon Comics has a few more titles in their arsenal and additional info can be found on their website, Moon Comics. I didn’t get a chance to ask Greg too much about his process as I was slightly distracted by his writer who was standing next to him dressed like a giant carrot. I’m sure it was promotion for their book, The Vegetable Wars. Check out their site for some previews.
Juan Gomez is the next artist we visited with and I was surprised to learn that there is a good chance he and I meet when I was in my early teens! I handed him one of IF Comics business cards and he immediately recognized Terry Freedom. A FAN FROM THE OLD DAYS! Sweet! Even though I had purchased this gorgeous rendering of the new DC 52 version of Darkseid, we ended up trading the sketch card for a copy of Blitz Howser. I am stunned to see artists create these fantastic works on canvas’ no bigger than 2.5″ x 3.5″. I myself have illustrated a few artists cards but am nowhere near the level of Juan’s artistic talent. I had to have this piece as it just stands out as extremely powerful. It just great all around. We (Julie and I) conversed with him for some time talking about his current work and his hope to start churning out content as time allows. We hope to be seeing more his work in the future as it is my belief that it needs to be shared at all costs. Check out his work via his blog: Gomez 13
Austin Allen Hamblin is a true example of someone who has been influenced to share his talent with the world through his love of comic book artists through their visual storytelling. This nineteen year old (probably the youngest exhibitor at this functioned) has been recruited to participate is an extremely noble cause, stamping out BULLYING! He was contacted by the organizer, Pam Harrison (her work can be viewed via clicking on the comic cover to the right) to contribute to this publication which is given away to kids and young teens to help them deal with bullying at school. Mainly, to let them know that they are not alone and that this type of behavior should not be tolerated in any form. An extremely noble cause as Pam sends all her contributors free copies of the books for them to distribute or sell to help cover their efforts for their contribution. Austin was even nice enough to share with Julie and I his portfolio of original comic book work from well known comic artists. His portfolio alone could easily pay for ones full semester of credit hours in college. Check out more of Austin’s work at: Hamblin Comics
As anyone knows, I am immediately drawn to anything remotely cartoony in nature. So I couldn’t pass up the chance to check out this comic with writing by Russell Lissau as well as writing and illustration work by Denver Brubaker who were both attending this con. Cats and other small animals dominate this book which will make my tiger, Nerwonduh, extremely happy while Julie’s kitty, Goobers, may sniff it as it’s something new in the house. Goobers mainly tolerates my comic collection more for the fact that I occasionally feed her once in a while. She also seems to think that I have a warm lap.
Christopher Mitten is well known for his work for Dark Horse. Julie and I have seen him at two cons so far. We first got a chance to talk to him at the Kankakee Fantasy Con this year but had to cut our chat short since we had to get back to our table to meet fans. However, since we were not displaying for the Fall show, I finally was able to grab a copy of one of his comic stories. Christopher is awesome each time we have met him, he is always glad to be out and about with humans and not stuck in his office with gallons of coffee at his disposal drawing. He also seems to like to writhe his hands together much like Mr Burns from The Simpsons. I think he needs to get out more. Regardless, he is a great illustrator and I hope to start collecting more his work when I can afford it. The downfall of being a starving artist unfortunately. His work is totally rocking! Check more of his work on his personal website: Christopher Mitten
John Metych has his whole line of comic book creations under his company Beta 3. He is writer, letterer, editor, and publisher of his work. I picked up his crossover story with previous existing characters left over from the old Malibu Comics days. Anyone remember Malibu Comics? They were based out of California and at one time published stories for a big named property called Star Trek via Paramount. Strange that they went under. Anyway, John dug up a copy of his crossover that also had a signature from his illustrator. Why did he go through the trouble? I have an extremely adorable face! Plus it helps to have a booth babe dangling from ones arm dressed like Batgirl!
I would like to include his web page however, as of this time, it’s currently having technical difficulties. In the meantime, do a Google search for Beta 3 Comics.
I saw this card on Facebook way before the show started and wanted this piece. Does it not look exactly like Brian Cranston as Walter White?
I was fortunate that no one had bought it when I found Christopher Brault sitting with his long time old friend, Andrew Winkel writer and creator of Raceboy and Super Qwok. Christopher’s work is, like all the other artists displaying this past Saturday, is fab! Check out his work on his DeviantArt Page. Also make sure to check out Raceboy and Super Qwok Adventures available as a print edition or a digital download from Amazon, Barnes and Noble, or Itunes. Andrew’s 300+ page is filled with short super hero adventure stories based on his four children. It’s a great read and one that people should check out and recommend for children 12 or under. Also check out Breaking Bad on AMC. Only Two episodes left!
Here are a few more artist that we got a chance to chat with but were unable to purchase as I ran out of funds. Collecting comics is like the worst vice ever!
Cory Amos is currently working on a succubus/ vampire character with an interesting twist. Check out his work at: Cory Amos
Mat Fasta does a variety of fantasy work that can be viewed at: Tiamat’s Garden
Brian Lee Martinez has a number of interesting projects lined up that I hope to see really soon. With a blend of anime and manga to his art style, I’m sure he will soon be an up and coming rising star in the indie scene. Check out his work at: Zanamaru
Thanks to all the creators for taking the time to answer my questions and share their thoughts with me. Hope we get a chance to do it again.